It’s good to be king
Money, sex, and coverups. All up in a puff of white smoke. Maybe they shouldn’t have made a pope out of a Nazi brown-shirt.
Money, sex, and coverups. All up in a puff of white smoke. Maybe they shouldn’t have made a pope out of a Nazi brown-shirt.
My focus is on what I can do with RAW files. I don’t give a crap about what JPEG images out of camera look like.
Finally a camera review that doesn’t spend half its space on what you can do with the JPEG. If you have RAW, why would you ever shoot JPEG?
Even if the dog has already gotten it wrong twice on the same person, the dog is presumed reliable. Meaning any cop can search anything they want just by getting their trained animal to “alert” on someone they don’t like. Meaning anyone.
And by “trained”, I mean trained to please their master, nothing more.
You can’t even introduce evidence that the same dog had gotten it wrong before with the same person and the same truck.
There’s no fourth amendment anymore. Just a pretense. Get a dog to sit, get a judge (likely a former prosecutor) to sign a form, or just make up a non-existent CI. Or claim you smelled marijuana.
More disgraceful, there wasn’t a single dissent.
So, I don't have cable anymore. I don't want to be that guy, and say that I don't watch TV [1], because I do watch TV. I have a big TV, and I love to watch it. I await 4k excitedly. I mercilessly mock those who think SD is good enough. It's not. HD barely is. I think we're in a sort of Golden Age of TV [2]. Long form, story arcs, tales that couldn't be told before on TV, or not at all in movies [3], and in higher fidelity than you can currently get on the big screen [4]. And no one in front of you live-texting the movie on their phablet with brightness set to stun.
But back to the point, I don't channel surf anymore. I pick something and watch it. By whatever means, fair or foul. Archer, Justified, House of Cards (both versions), Deadwood, TDS, etc.
So when I sit in a hotel room and watch what's on, my first impression is, thanks be I don't waste time trying to find something to watch anymore. Apparently there aren't any happy finds of history, nature, or general interest anymore, something I could watch with half a brain, and maybe find out something I didn't know before. Or even just old movies.
Last night, I was struck by how many shows are just people picking through other peoples' junk. Weighing, judging the former owner, whether present or absent or unknown. Pawn shops, barn finds, storage lockers, junk yards, attics. And hoarders, in the end, the ultimate purveyors of the obsession with old things [5]. Cars, antiques, and emotions. Real Blank of Location and Top Whatever seem to be the equivalent of these shows, except holding up others' emotions, foibles, and follies up for our perusal, instead of junk.
Oddly, the BBC is to blame, followed by PBS. Antiques Roadshow (BBC first, then PBS) and An American Family both started these obsessions. Of course, we are apes, so maybe it was inevitable that the same need to observe others in our tribe gave us The Wire, and American Pickers. Dickens, and Jeff Probst.
[1] Though since I cut the cable, it's a lot less – lots of TV watching is just background noise.
[2] The original Golden Age was honestly not that golden. I Love Lucy is just not that funny, and never was. And now it's not really fair to call what we have now TV, except that it plays on the box in your living room, same as I Love Lucy. But that box is probably a computer, whether it's hooked up to a 50 inch flatscreen [5] or a tablet. It's not the networks. It's the internet.
[3] though it's possible that with the rise of HBO, Netflix, movies will figure out a way to play long form. That's what I'd be looking at if I were head of Universal.
[4] Yeah, at the old Hastings Ranch, on the 130 foot screen, it was better. And at the Arclight, with the projector set properly, and the current version of Die Hard not playing in the next theatre, it's better. But like the vinyl/digital argument, with all things optimized, and new vinyl, it sounds better on the first play. 100 plays in, digital wins every time.
[5] Pitch to Bravo execs – the guys from Pawn Shop go through hoarders' houses. Can't miss! Gets both the mullet and the all important schadenfreude demographic… No sorry, I just can't do it. Plus I'd say schadenfreude and I'd be out of that elevator.
[5] Flatscreen. Like “dial a number” (my Google Voice app still says “dialer”), Ma Bell telephone rings on mobile phones, static, modem noises, and record scratches, still around, but no one will remember the last time they actually saw/heard one.
I thought it a bit odd that the pope was retiring (for “health” reasons) for the first time in six centuries, just a few days after the unredacted papers of the LA prelate were released. I didn’t see anything about it in the RSS feeds though, but Digby put voice to that nagging little thought in the back of my head as usual.
Turns out Ratzinger was the head of the section that was supposed to oversee such things. And they say that that brownshirt business was just youthful indiscretion.
And, as predicted, Dorner was not taken alive, though he could have been. Funny how he got burnt out, all Waco-style.
And for all the rounds expended (46 in one case) shooting at trucks that didn’t look anything like the one he had already burnt up (more flames), only one small Latina lady spent any time in the hospital. So much for the deadly assault rifle.
If you own a blue Tacoma, or a black Honda Ridgeline, best to take the bus today. Because even if you’re a 71 year old Hispanic woman delivering papers, LAPD might put 46 rounds through your truck. Because the 270 lb African American guy is also a Master of Disguise.
Oh, wait, that’s not even the right color. Or make. Or model.
Dark pickup trucks of any manufacturer apparently make you fair game.
I’ve got a nickel that says that police procedures were followed, and no one will be reprimanded, or demoted. Certainly not arrest or jailed. Punishment will consist of paid leave (what everyone else in the world calls “paid vacation”).
Initially, the police reported to the news that everyone was in stable condition. Now it turns out she’s in ICU.
Ten will get you twenty that he had a legitimate beef. But no way to pay out because we’ll never know now. Not that that excuses his behavior, but on the other hand, he at least had a reason for going on a rampage. The cops that shot this woman who got up at 3 am to deliver papers had no reason at all. He’ll pay for it with his life (he’ll never be taken alive – see the North Hollywood Bank shootout – they’ll let him bleed out on the street rather than have him face trial), and the cops that shot this woman will be promoted.
Monday was a very nice day, and a holiday, so I took advantage of the light traffic and the wonderful day to put the top down on the fun car and drive over to Santa Monica for Photo LA 2013. Driving the 110 in January in a convertible with the top down and Aviators is one of the things that makes LA such a unique experience. I parked on the street to save me the exorbitant $10 parking charge (nonetheless, I paid SM their $2 bribe to park on an empty street for two hours. Of course they ticket even on a national holiday, but not getting a ticket in SM is not even a possibility – their meter maids still work 24/7/365).
Anyway, my first impression is photography, or at least collecting, is a sport for 1) the rich, and 2) the old. $20k for prints of 60s icons certainly must be addressed to wealthy boomers. Not to me. Not that I'm not old, but like the Beatles music, it's just been done to death.
But once you get away from the obvious cash cows, there were some interesting things. Three of Julius Shulman's Case Study #22 were available (and some other very good, lesser known, work), Ansel Adams street photography (look, he has a telephone post coming out of the subject's head! And out of focus!), a whole wall of gorgeous portraits by Horst, Newton, Avedon, et al. I was playing the guessing game (no labels on this wall), matching style to photographer, when the proprietor came over and gave me a tour.
I also got to chat with Jay Mark Johnson, whose work I very much enjoy. The comparison I can make is with Gursky. Must be seen in person on a large scale to appreciate. Mr. Johnson was a very nice fellow.
It's continually amazing that even to an uncultured cowboy like me, it's easy to walk into any room and see the masterpiece. It's obvious which picture is the Rembrandt, even if you don't know anything about art. It just jumps out. Similarly, Mapplethorpe, Salgado, Weston – I don't have to know the picture or the artist to recognize this is a step above.
I had talked to a pro photographer friend of mine who had seen it and he told me not to bother. “Nothing new, nothing inspirational.” But I think the difference is that I didn't go to art school. I had not seen a lot of these in person (in books and on the web, sure), and in person makes all the difference for all art. So to me, worth it to see Lange, White, Frank, Elliott in person. But yeah, not much new or original.
Not to be a cheap bastard (see above), but $25 is kind of steep for this sort of thing. I wonder if the limited attendance is due to the price.
“No bucks, no Buck Rogers.”
– Gus Grissom, as quoted in Tom Wolfe's “The Right Stuff
But while that maxim is true around here, and at labs and universities in general, the polarity is reversed for staff – no Buck Rogers, no bucks. Staff exists to support scientists who bring in the money from which the overhead is skimmed that pays their salary. If scientists can't do their work because of (insert your favorite annoyance here) policies, then — no Buck Rogers, no bucks, no overhead to pay staff…
This is often ignored. It's weird how the perception becomes that the scientists work for the bureaucrats, and not the other way round.
I mean, we do. We're bad at management, so the scientists who start these institutions set up administration to do the grunt work. Then the admins start hiring new scientists, and it seems like they're in charge. So do scientists have agency, or are we a cash crop, or herd, to be managed in order to bring in money to pay staff?
That's a subject for another time.
I remember when…
Kids rode bikes, and old people drove everywhere. Now only old people ride bikes, and kids get driven everywhere.
Walk? Nobody walks in LA.
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